Behind the cordons set up along the road by the police for this VIP procession, people stood and waited and guessed: a teenager anxious to continue his first ride on a Honda 70, a drunk husband ferociously chewing betel nuts to get rid of the smell before he got home, a horse buckling under the weight of too many passengers on the cart, the passengers cursing the cart driver for taking this route, the cart driver feeling the pins and needles in his legs begging for their overdue opium dose, a woman covered in a black burqa–the only body part visible her left breast feeding her infant child–a boy in a car trying to hold a girl’s hand on their first date, a seven-year-old selling dust-covered roasted chickpeas, an old water carrier hawking water out of a goatskin, a heroin addict eyeing his dealer stranded on the other side of the road, a mullah who would be late for the evening prayer, a gypsy woman selling bright pink baby chickens, an air force trainee officer in uniform in a Toyota Corolla being driven by a Dunhill-smoking civilian, a newspaper hawker screaming the day’s headlines, Singapore Airline’s crew in a van cracking jokes in three languages, a pair of home-delivery arms dealers fidgeting with their suitcases nervously, a third-year medical student planning to end his life by throwing himself on the rail tracks in anticipation of the Shalimar Express, a husband and wife on a motorbike returning from a fertility clinic, an illegal Bengali immigrant waiting to sell his kidney so that he could send money back home, a blind woman who had escaped prison in the morning and had spent all day trying to convince people that she was not a beggar, eleven teenagers dressed in white impatient to get to the field for their night cricket match, off-duty policemen waiting for free rides home, a bride in a rickshaw on her way to the beauty salon, an old man thrown out of his son’s home and determined to walk to his daughter’s house fifty miles away, a coolie from the railway station still wearing his red uniform and in a shopping bag carrying a glittering sari he’d change into that night, an abandoned cat sniffing her way back to her owner’s house, a black-turbaned truck driver singing a love song about his lover at the top of his voice, a bus full of trainee Lady Health Visitors headed for their night shift at a government hospital; as the smoke from idling engines mixed with the smog that descends on Islamabad at dusk, as their waiting hearts got to bursting point with anxiety, they all seemed to have one question on their minds: “Which one of our many rulers is this? If his security is so important, why don’t they just lock him up in the Arm House?”

I boom-mumble I bass-blow
I hull-heavy I big/slow
I boat-bump I limpet-skin
I soft-sink I sky-swim
I sea-search I salt-swallow
I bone-backed I flute-follow
I gulf-cross I listen-talk
I moon-map I wave-walk
I tail-turn I time-keep
I ship-wreck I song-seek
I blue-blood I grumble-sing
I fish-heart I dream king

Editorial: As seen on the Underground.

“Here Daddy, I made this for you.”  Tan orgulloso.

I am bowled over by the amount of energy we humans spend on our daily performances. We have so many roles to play: deli customer, brother-in-law, subway rider, employee, professor, sports fan, sonbrotherhusbandfather. It is endless. I find that in some instances I slide right into roles effortlessly—because they just are. Other times I need to pause and reset before the show can go on. Problems arise if I make the transition from role to role too quickly, for instance I can be too brusque when I go from coworker to adviser or from subway rider to father. But in all these roles, no matter how ordinary or extraordinary, if you can remember to breadth in, if you can remember to open your ears, the thrill of life (the smell… the roar…) is palpable.

Editorial: See previous post.

Midwinter spring is its own season
Sempiternal though sodden towards sundown,
Suspended in time, between pole and tropic.
When the short day is brightest, with frost and fire,
The brief sun flames the ice, on pond and ditches,
In windless cold that is the heart’s heat,
Reflecting in a watery mirror
A glare that is blindness in the early afternoon.
And glow more intense than blaze of branch, or brazier,
Stirs the dumb spirit: no wind, but pentecostal fire
In the dark time of the year. Between melting and freezing
The soul’s sap quivers. There is no earth smell
Or smell of living thing. This is the spring time
But not in time’s covenant. Now the hedgerow
Is blanched for an hour with transitory blossom
Of snow, a bloom more sudden
Than that of summer, neither budding nor fading,
Not in the scheme of generation.
Where is the summer, the unimaginable
Zero summer?

If you came this way,
Taking the route you would be likely to take
From the place you would be likely to come from,
If you came this way in may time, you would find the hedges
White again, in May, with voluptuary sweetness.
It would be the same at the end of the journey,
If you came at night like a broken king,
If you came by day not knowing what you came for,
It would be the same, when you leave the rough road
And turn behind the pig-sty to the dull facade
And the tombstone. And what you thought you came for
Is only a shell, a husk of meaning
From which the purpose breaks only when it is fulfilled
If at all. Either you had no purpose
Or the purpose is beyond the end you figured
And is altered in fulfilment. There are other places
Which also are the world’s end, some at the sea jaws,
Or over a dark lake, in a desert or a city—
But this is the nearest, in place and time,
Now and in England.

If you came this way,
Taking any route, starting from anywhere,
At any time or at any season,
It would always be the same: you would have to put off
Sense and notion. You are not here to verify,
Instruct yourself, or inform curiosity
Or carry report. You are here to kneel
Where prayer has been valid. And prayer is more
Than an order of words, the conscious occupation
Of the praying mind, or the sound of the voice praying.
And what the dead had no speech for, when living,
They can tell you, being dead: the communication
Of the dead is tongued with fire beyond the language of the living.
Here, the intersection of the timeless moment
Is England and nowhere. Never and always.

Editorial: This is Part I of ‘Little Gidding’, the fourth quarter of T.S. Eliot’s ‘Four Quartets’. The whole work has layers of meaning which can be explored and enjoyed. This selection speaks about this time of year (winter, the liturgical season of Advent, heading into Christmas), when movement and busyness are on the rise—we with our dumb spirits coming and going, seeking, wanting, hoping. It reminds us what to do and what profound things can follow. It is mesmerizing and mystical.  (Thanks to RTM for sharing).